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Comparing to other Shures, itis a great step up from their Beta 87A and miles ahead ofBeta 58A. The dual-diaphragm microphone greatly reduces the proximity effect, and low-frequency response remains consistent with distance. The on-axis pickup pattern is well focused, and although moving substantially off axis results in a dramatic reduction of level, the tonality remains remarkably consistent. Shure KSM9 has a fantastic quality and it gives a very natural sound. Shure KSM9 Shop now at Amazon. Shure Audio Institute. Then - and rather predictably - we had to try the mic on a snare drum and guitar cab (both of which can be successfully enhanced with a regular SM mic). Its one of those things that comes down to personal taste. Being music makers ourselves, we love geeking out on all things gear. In Europe, call 49-7262-92490. Our expert reviewers spend hours testing and comparing products and services so you can choose the best for you. I work with a female vocalist who is looking to upgrade her microphone. ; chanel In a directional microphone, sound waves are generally directed towards the rear of the diaphragm through an acoustic labyrinth, which effectively introduces an audio delay. It is a handheld condenser with a switchable polar pattern between cardioid and supercardioid. The KSM8 uses a dual-diaphragm moving coil cartridge with a cardioid pickup pattern. Their design used a complex arrangement of perforations drilled into separate brass plates which, when sandwiched together to form the microphone backplate, created an acoustic labyrinth behind the front diaphragm. In America, Electrovoice took a very different approach in their EV664 microphone launched in 1954. We joined PA in 2018, becoming part of one of the world's most capable networks of researchers, strategists, designers, engineers, and scientists. Zippered Carrying Case for KSM8. OK, thats a very bold marketing claim, but actually, I dont think theyve over-hyped it. The dual-diaphragm microphone delivers a smoother response throughout the vocal range and is less susceptible to improper microphone handling, requiring less corrective signal processing and resulting in a more natural sound. Popular comparisons. Also, what's your use case, as this will probably help us guide you towards to best choice! Shure Tech Portal open_in_new. Unusually for a stage vocal mic, the response is largely flat between 100Hz and 10kHz and the substantial presence peak found in most stage vocal mics is absent in the KSM8. Learn More. Now is the perfect time to get the gear you want with simple, promotional financing. This ensures a smooth transfer of the signal from the microphone to the pre-amp, without any loss of signal quality. KSM9 is also amazingly crispy and I find it quite amusing. This mic offers dynamic lows, balanced mids and sparkling highs. This microphonecan give a colossal improvement to your vocal and it actually deserves every dollar spent. 3.7 out of 5. The higher range gets some gentle boost, resulting in more transparency andhelping to cut through more easily. As a condenser designed for gigging and live use, the KSM9 is perfect for anyone looking to bring a high quality studio sound to the stage. Another advantage of mics with a smaller diaphragm is that they have a more controlled, consistent pickup pattern. Aside from singers, weve seen it working foracoustic artists too, for example guitar players etc. More videos like Shure KSM8 vs. KSM9 | Whats the Difference? Our web address is www.shure.com. The mic has a dual-diaphragm 19.8mm OD electret condenser capsule, with diaphragms mounted 3.7mm apart. Theres still a noticeable proximity when youre right on the grille, and here plosives still creep in, but nevertheless, for terms of ease of use, youre getting a much more predictable, consistent sound in a variety of positions. Traditional microphones confine the performer to a specific distance from the microphone. jim martin death couples massage class san diego beaver falls football shure axient combiner. They are just in completely different leagues. Web site designed & maintained by PB Associates & SOS. Re: KSM9 vs. Shure1 launch cloud_download BLX B/SHURE B/ PSM300 B (806810MHz . For a better experience, please enable JavaScript in your browser before proceeding. The outer grille has been tempered to provide years of dent resistance. However, if you imagine a noisy gig environment, you can see how you might run into problems with feedback and monitor bleed. Firstly, good live condenser mics, such as the KSM9 have internal shock mounts. Finally, dynamic mics are passive meaning they dont require any power. A cardioid polar pattern picks up sound in a heart shape around the front of the microphone. Sweetwater's Mitch Gallagher joins soulful singer Marcus Scott for a side-by-side shootout of Shure's KSM8 dynamic mic and KSM9 condenser mic. Consider helping Sound Forums keep the lights on. Always hold the vocal mic by the main body, and if theres too much sibilance, try holding it slightly to the side. For quieter, well-controlled stage environments, (or in-ear monitors) the cardioid pattern sounds great. In my opinion, if budget allows, stretch to a KSM9. I prefer the KSM9 over the Beta87C. Its an effect used by radio presenters to give them very deep voices. And crucial for live use, the built-in advanced suspension shock mount offers good insulation from handling noise and rumble. The downside is that the KSM9 seems to pick up everything on stage.. but it doesn't color them, so doing some additive mixing, using the mic bleed as . KSM8. Nevertheless, we dont think this should detract from what is a beautifully made and classy performer from mic giants Shure. A cardioid polar pattern shouldnt pick up any sound from the rear of the microphone. Overall, the KSM8 is excellent for vocals but not quite the allrounder that the SM-series mics are. Shure are one of the industry leaders in vocal microphones. The Shure KSM9 is a great choice as a live mic. An internal shock mount offers the kind of durability youd expect from a live mic. Itmaintains a great accuracy at higher freqs (where other mics err), and even those high-pitched harmonics sound so much natural! The KSM9 is a premium vocal condenser microphone that captures vocal subtlety with extraordinary detail to deliver clear articulation, functional flexibility, and precise vocal reproduction for live performance. Its not something I could actually hear. The Dummies Guide explanation is that the passive rear diaphragm acts as the first element of the acoustic labyrinth network, and provides significant compliance at low frequencies. It is the successor to the popular KSM8, and it offers several improvements over its predecessor. Technical features include two ultrathin diaphragms, a neodymium magnet, a dent-resistant carbon steel grille, a new internal pneumatic shock mount and diaphragm stabilization system, and integrated hydrophobic wind protection. And although the smooth midrange suited the guitar cab, on snare drum we really missed the boost in brightness that an SM57 brings. This protects the diaphragm and capsule from harm, and reduces handling noise and stage vibrations. It has a cardioid pickup pattern, which means that it picks up sound from in front of the mic and rejects sound from the sides and rear. Having used them both extensively with flat EQ no compression and no effects here is my 2cents on these mics. In essence, this system guides sound of different frequencies to the rear of the capsule through three or four separate entry ports spaced along the length of the mic body, each incorporating frequency-selective damping. As mics go, Shures SM series are about as reliable and predictable as it gets, and so we were expecting a similar sound and behaviour from the KSM8. Check out the Shure KSM8 here:https://www.sweetwater.com/store/detail/KSM8N--shure-ksm8-dualdyne-nickelSubscribe to Sweetwater:https://www.youtube.com/user/S. Therefore, if you can afford this mic, go ahead and start digging that difference. 5/8" to 3/8" (Euro) Threaded Adapter. https://www.Sweetwater.com/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o. . What else do you need for your home recording studio? SM7b is unique though, so dont expect you can get the exact same performance from another handheld. KSM8/B: Superior dual-diaphragm dynamic microphone with a black finish. The KSM9 microphone typically runs around $700 in a wired configuration. A dynamic microphone process sound waves mechanically whereas a condenser microphone does so electronically. Varying the labyrinth delay time slightly leads to other directional patterns, such as hyper- and super-cardioid, where the null angles are offset either side of the rear axis at 110 degrees and 126 degrees, respectively. The Neumann KMS 105 is a condenser microphone that is designed for studio use. Single vs. Dual-diaphragm frequency response. . Sweetwater Sound, 5501 U.S. Hwy 30 W, Fort Wayne, IN 46818 Get Directions | Phone Hours | Store Hours, If you have any questions, please call us at (800) 222-4700. DUAL DIAPHRAGM TECH. The microphones sensitivity is given as 1.85mV/Pa, which is comparable with most other stage mics an SM58 has a sensitivity of 1.88mV/Pa, for example, making it less than 0.2dB louder. The last channel of my input list is the centerpiece of the show! The mechanical design of the KSM8 offers advancements that benefit the performance and aesthetics of the microphone. KSM9 is a top line mic and I assure you its pretty tough the capsule is well protected, and if dropped, the internal suspension can easily handle the shock. The robust mechanism means theyre also less sensitive to distortion from high sound levels. The KMS 105 also has a very high audio quality, making it perfect for professional recordings. Enter the KSM8. 5 () 2:46 Shure KSM8 Only However, there is a small amount of sensitivity at the rear of the mic (called a rear lobe). If you could choose for worship music between Shure KSM9, Neumann KMS 105 or Sennheiser E965, what do you prefer? The lower sensitivity allows Shure KSM9 to focus on the user's voice without picking up any sound from other directions. The KSM8 Dualdyne features a patented cartridge design with two ultra-thin diaphragms and groundbreaking reverse airflow technology. For noisier setups, the tighter supercardioid pattern does a good job of rejecting off-axis noise, which reduces feedback and stage bleed. Performance & security by Cloudflare. A supercardioid pattern is a little tighter around the mic, picking up sound around 57 degrees each side of the mic. You wont have the super resilience of a dynamic mic. Interesting Essay On Sampling Rights and Reforms. A Sweetwater Sales Engineer will get back to you shortly. Find out more about how we test. A subsonic filter helps cut out any rumble from mechanical vibrations below 17Hz. Beginning with a simple and sturdy design (and in a handsome matte black), the KSM8 Dualdyne is the world's first dual diaphragm dynamic vocal microphone, a design that eliminates the emcee mic-cupping . The standard voltage for phantom power is 48 V DC. Exclusive deals, delivered straight to your inbox. Patent Notice: Patent Des. The KSM8 is a dynamic microphone; the KSM9 is a condenser microphone. There were four models in AKGs dual-capsule range, starting with the D200. This mic is highly dynamic and nuanced, making it the perfect mic for intimate folk, jazz or spoken word performances. Best for: Small touring applications, classrooms, office meetings, or fitness instructors on the go. Cloudflare Ray ID: 7a2dba687d4fa3ab In contrast, the dual-diaphragm capsule achieves a superior cardioid polar response and on-axis frequency response for close (nearfield) sources. The Neumann KMS105 is another live handheld condenser mic. BA1 1UA. Because of this, Shure KSM9 is much easier to use when there are other singers or instruments on the stage. 27 Wormwood St $621.00. This mic has a very flat and even range through the mids, before gently climbing through the high range from about 3kHz. If you want your live vocals to be closer to your refined studio sound, then this is where a good handheld condenser comes in. 3:26 What We Heard High sensitivity condenser mics are very good at picking up detail (both close-up and at a distance). All rights reserved. Shure can be proud of their achievements in creating the Dualdyne capsule, and of advancing microphone technology in such a practically valuable way. In the studio, a cardioid mic is probably all you need in a well-isolated vocal booth. But for the money, youll get a classy, crystal-clear sound with heaps of dynamic detail. FR curves are similar (KSM9 has less proximity effect; KMS105 a bit smoother HF bump) and both seem to allow a good singer to sound, well, good. This is a small, low voltage current sent to the microphone from a microphone preamp, mixing desk, or audio interface. The Shure KSM9 could be the best choice for someone who wants excellent sound but cannot afford a Neumann kms 105. Read Also >>USB VS 3.5mm MicrophoneUHF vs VHF wireless microphone systemsRode NTK vs. K2 MicrophoneNeewer NW 700 vs. Neewer NW 800Sennheiser e935 vs e945 Microphone Comparison. The balanced response of the dual-diaphragm microphone allows the performer to move more freely without affecting the sound quality. If you experiment you may find you prefer the sound of one over the other, though the differences are quite small. Deepak is a List Writer for AnimeCoach with years of writing experience and a love for all things anime. Your email, has been entered to win this giveaway. Second, nonetheless very important feature is a unique grille design that does an impressive job in reducing popping sounds. This is also a good position for any sudden loud notes, or to shape, and tail off a long note. Its unique capsule gives the KSM8 a cardioid polar pattern that is unusually uniform across the frequency spectrum.As polar patterns go the KSM8 boasts a remarkably consistent cardioid response, with an excellent rear null across most of the frequency range, and Shure claim it to be the purest cardioid polar pattern the company have developed to date. Their ability to reproduce sound so accurately is why they tend to be used in studio recording. This will add more bass to the sound, due to the proximity effect.