FAX: (213) 821-2665, Media Arts + Practice For more information, see here. He is seen holding a fencing foil in one hand and a script in the other to reflect his strong ties with the USC Fencing Club. April 11, 2023, 7:00 P.M. Norris Cinema Theatre at the Frank Sinatra Hall, 3507 Trousdale Parkway, Los Angeles, CA 90007. John C. Hench Division of Animation + Digital Arts, John Wells Division of Writing for Screen & Television, Other notable faculty members and instructors (past and present), Last edited on 21 February 2023, at 08:58, Learn how and when to remove these template messages, Learn how and when to remove this template message, Creative Media & Behavioral Health Center, List of University of Southern California people, George Lucas Donates USC's Largest Single Gift, Cinematic Arts Celebrates 80th Anniversary With All New Campus, "Amid deaths, students raise concerns over workload, culture and climate within the School of Cinematic Arts", KAVI a short film written and directed by Gregg Helvey Cast/Crew, "2019 Heartland International Film Festival Selections", "FILM; An Unusual Choice for the Role of Studio Superhero", "Passings: Dick Hoerner, L.A. Rams fullback, dies at 88; John A. Ferraro, actor, director and USC teacher, dies at 64", "James Franco to teach a USC film production class next spring", Jerry Lewis, Mercurial Comedian and Filmmaker, Dies at 91, "Respected Cinematographer, Professor and USC Alumnus obituary", https://en.wikipedia.org/w/index.php?title=USC_School_of_Cinematic_Arts&oldid=1140697419. sessions. The Writing for Screen and Television Certificate provides an established writer, domestic or international, with a one-year program of study. In 1965, 21-year-old George Lucas began attending USC's School of Cinematic Arts. Make Reservations . The degree requires 128 units. In today's global culture of multiple screens and diverse forms of media, every industry needs innovators who are able to Playful and interactive experiences make up the fastest growing segment of the entertainment industry. Wang Family Endowed Chair in Cinematic Arts:Akira Mizuta Lippit, PhD, The Haskell Wexler Endowed Chair in Documentary:Michael Renov, PhD, The Robin Williams Endowed Chair in Comedy: Barnet Kellman, PhD, Dino and Martha De Laurentiis Endowed Professorship: Mary Sweeney, MA, Presidential Professor of Cinematic Arts: George Lucas, BA, Judge Widney Professor: Robert Zemeckis, BFA, Provost Professor of Communication, Journalism, and Cinematic Arts: Henry Jenkins, PhD, The Mark Burnett Summer Program Endowed Chair:Kenneth Williams, Distinguished Professor: Mark J. Harris, BA, Professors: Tom Abrams, MFA; Danny Bilson, BA; Bruce Block, MFA; Don Bohlinger, MFA; Mark Bolas, MS;Todd Boyd, PhD; Ted Braun, MFA; Teresa Cheng, BA; Midge Costin, MA; Elizabeth M. Daley, PhD; Jack Epps Jr., BA; Michael Fink, MFA; Scott S. Fisher, MS; Tracy Fullerton, MFA; Mark J. Harris, BA; David Howard, MFA; Aniko Imre, PhD; David Isaacs, BA; Priya Jaikumar, PhD; Henry Jenkins, PhD; Jeremy Kagan, MFA; Gail Katz, MBA; Barnet Kellman, PhD; Scott Kroopf, BA; Lisa Leeman, BA; Akira MizutaLippit, PhD; Tara McPherson, PhD; Christine Panushka, MFA; Amanda Pope, BA; Jason Reisig, BFA; Michael Renov, PhD; Howard A. Rodman, BA; Ellen Seiter, PhD; Tom Sito, BFA; Kathy Smith, BA; Sheila M. Sofian, MFA; Mary Sweeney, MA; Michael Taylor, BA; Robert Townsend, DFA: John Watson, MA; Holly Willis, PhD, Associate Professors: Linda Brown, MFA; J. D. Connor, PhD; Pamela Douglas, MA; Lan Duong, PhD; Nitin Govil, PhD; Helaine Head, BA; Georgia Jeffries, BA; Andreas Kratky, PhD; Richard Lemarchand, BA; Everett Lewis, MFA; Andrew Nealen, PhD; Laura Isabel Serna, PhD; Peter Sollett, BFA; Stephanie Spray, PhD, Assistant Professor: Giancarlo Cornejo, PhD, Professors of Practice: David Balkan, BA; Irving Belateche, MA; Gordon Bellamy, BA; Peter Brinson, MFA; Vicki Callahan, PhD; Christopher Chomyn, MFA; Stephen Flick, BA; Nancy Forner, BA; Pablo Frasconi, BFA; Brenda Goodman, BS; Marientina Gotsis, MFA; Eric Hanson, BA; Virginia Kuhn, PhD; Elisabeth Mann, MFA; Alexander McDowell, BFA; Thomas Miller, MD, MFA; Maks Naporowski, BA; Michael Patterson, BFA; Candace Reckinger, MFA; John Rosenberg, MFA; Robert Schiler; Mark Shepherd, MFA; Ronald Taylor, BA; Sonja Warfield, BA; David Weber, MFA;William Yahraus, MA, Associate Professors of Practice: Steve Albrezzi, BA; Susan Arnold; Janet Batchler; Kiki Benzon, PhD; Michael Bodie, MFA; Richard Burton, BA; Reine-Claire Dousarkissian, MA; Dianne Farrington, MA;Evan Hughes, MA; DJ Johnson, MFA; Suhail Kafity; Margaret Moser, MFA; Angelo Pacifici, BArch; Michael Provart, MFA; Elizabeth Ramsey, PhD; Jesse Vigil, MFA; Jennifer Warren, BA; Shelly Wattenbarger, MFA; Tristan Whitman, MFA, Assistant Professors of Practice:George Carstocea, PhD; Jeremy Deneau, BA, Visiting Associate Professors: James Huntley, MS;Aisling Kelliher, PhD; Jennifer Wild, PhD, Visiting Professors:Kara Keeling, PhD; Edward Saxon, MFA, Part-time Faculty: Bayo Akinfemi; Albert Albaladejo; Jesse Albert; Ioan Allen; Kate Amend; Yvette Amirian; Kari Antholis; Jordan Ariel; Andrew Balis; David Baron; Deborah Baron; Craig Barron; Maurice Bastian; Diego Berdakin; Sandra Berg; Alan Berger; Fred Bernstein; Dick Block; Mitch Block; Skye Borgman; Sean Bouchard; John Bowman; Elizabeth Brauer; John Brennan; Paul Bricault; Musa Brooker; Michael Broukhim; Robert Brown; Bonnie Bruckheimer; Ed Callahan; Trey Callaway; Martzi Campos; John Carpenter; Will Carter; Susan Cartsonis; Phil Casnoff; Michael Cassutt; Julian Cautherly; Bonnie Chi; Peter Chung; Jacque Cofer-Edmonds; Simon Coke; Michael Connors; Akela Cooper; Ken Cosby; Sean Covel; Tim Curnen; Martin Daniel; Kristen W. Davis; Johanna Demetrakas; Dariush Derakhshani; Annie DeSalvo; Heather Desurvire; Jon Dudkowski; James Egan; David Fain; Siavash Farahani; Ben Fast; Ron Fernandez; Jason Figliozzi; Bruce Finn; Mike Fischer; Paul Foley; Eric Freiser; Joe Garlington; Bonnie Garvin; Paul Gerard; Larry Gertz; Jeffrey Glaser; Karl Gnass; David Goetsch; Eric Goldberg; Jane Goldenring; Jarrett Golding; Richard Goldsmith; Margie Goodspeed; Ian Goodwin; Janet Graham-Borba; Mimi Gramatky Stradling; Amanda Green; Sharon Greene; Jordan Halsey; Jeffrey Hammer; Suzanne Hargrove; Pete Hawkes; Chevon Hicks; Liz Hinlein; Joe Hoffman; Todd Hoffman; Alan Holzman; Sean Hood; Caroline Hu; Joan Hyler; Jason Inouye; Alex Jablonski; Brandon Jeffords; Yong Duk Jhun; Jeanne Jo; Toni Ann Johnson; Moses Journey; Juli Juteau; Aaron Kaplan; Roeban Katz; Collin Kelly; Thomas Kemper; Liz Keyishian; Tim Kirkman; Randal Kleiser; Michael Kontopoulos; Jeffrey Korchek; Paul Kowalski; Marianne Krawcyzk; Stu Krieger; Jon Kroll; Lucas Kuzma; Morgan Land; Sheldon Larry; Clifford Latimer; Ken LaZebnik; Domin Lee; Elizabeth Lee; Robert Levin; Adam Levine; Andrew Licht; Dan Lupovitz; John Mahoney; Abram Makowka; Laird Malamed; Leonard Maltin; Carolyn Manetti; David Maquiling; Peter Marx; Leslie Mathieson; Frank McAdams; Jim McGinn; Rebekah McKendry; Mary McNamara; Bill Mechanic; Dagen Merrill; Monica Mitchell; Chris Morocco; Tatiana Mulry; Robert Nashak; Rob Nederhorst; John Nee; Sahand Nikoukar; Joseph Nussbaum; Dave OBrien; Jim OKeeffe; Sev Ohanian; Bob Osher; Joel Parker; Rick Parks; Justin Parpan; Joe Peracchio; Rod Perth; Brian Peterson; Paul Petschek; Wendy Phillips; Mary Posatko; Anne Postman; Kate Powers; Wayne Powers; Bill Prady; Ross Putman; Robert Ramsey; Phil Ramuno; Gary Randall; Amy Reed; Sandy Reisenbach; Lyz Renshaw; Silvia Rigon; Vincent Robert; Sam Roberts; Peter Robinson; Jason Rosenfield; Roland Rosenkranz; Torrie Rosenzweig; Jeremy Royce; Nina Sadowsky; Leander Sales; Mike Saltzman; Henry Sanchez; Jimena Sarno; James Savoca; Julie Sayres; Nevin Schreiner; Phil Schwartz; Matthew Scott; Debby Seibel; Joselito Seldera; Bita Shafipour; Rick Shaine; Toi Juan Shannon; Bobby Smith, Jr.; Katie Smith; Jim Staahl; Josh Staub; Katherine Steinbach; Noah Stern; Scott Sturgeon; Danny Sussman; Neely Swanson; Beth Sweeney; Ella Taylor; Aaron Thomas; John Underkoffler; Marcel Valcarce; Pam Veasey; Ligiah Villalobos; Jeffrey Vlaming; Gary Wagner; Dahvi Waller; Gene Warren III; Miles Watkins; David Weitzner; Nicole West; David White; William Whittington; Tyger Williams; Chase Winton; Cynthia Woll; Russ Woody; Frank Wuliger; Chris Wyatt; Qianqian Ye; Ashley York; Gil Zimmerman; Ed Zobrist, University Professor Emerita: Marsha Kinder, PhD, Professors Emeriti: Drew Casper, PhD; Ron Curfman, MFA; Trevor Greenwood, MA; Richard Harber, MA; David E. James, PhD; Richard Jewell, PhD; Edward Kaufman, PhD; Woody Omens, MA; Morton Zarcoff, MA, Associate Professors Emeriti: Robert Miller, PhD; Dennis Wixon, PhD, Research Professor Emeritus: Richard Weinberg, PhD, Professor Emeritus of the Practice of Cinematic Arts: Jason Squire, MFA. News25 . Washington, DC; Chicago, IL; New York, NY; San Francisco, CA; Dallas, TX; Search. The minor in science visualization offers an introduction to science visualization methodology and practice focused in an area of relevant research. Entertainment Industry Through elective choices students may focus their studies on a number of cinematic disciplines as they pertain to the creation of comedic content, including writing sit-coms, directing comedic actors and producing sketch comedy. The School of Cinematic Arts has a long history and reputation for being on the forefront of technological advances in entertainment and beyond. The project also received another $50 million in contributions from Warner Bros., 20th Century Fox and The Walt Disney Company.[1]. For more information, see here. For more information, see here. The John Wells Division of Writing for Screen & Television teaches students how to create the kinds of scripts that excite directors, producers, agents, and managers. The seven-week creative producer training programme will be available exclusively through the University of Southern California (USC) School of Cinematic Arts (SCA). Science Visualization The program requires 24 units. USC Marshall offers students the unique opportunity to complete coursework in both the School of Cinematic Arts and the Marshall School of Business. The Arts and Humanities Initiative highlights USCs commitment to interdisciplinary approaches, featuring a spectacular selection of events conceived and organized by faculty and schools throughout the university. Nina Yang Bongiovi, Producer-in-Residence and Associate Chair Each program has its own advisement system. Aug 2022 - Present8 months. Please note: the SCA Summer Program consists of . A minor in cinematic arts is available to USC undergraduate students in all schools and departments. Salary Company How To Become Job Openings. Digital Studies The minor in digital studies explores the rich potential of digital media for critical analysis and creative discovery. The video game design minor integrates theoretical concepts and practical skills to prepare students for a career in interactive entertainment, specifically the video game industry. April 4, 2023, 7:00 P.M. Norris Cinema Theatre at the Frank Sinatra Hall, 3507 Trousdale Parkway, Los Angeles, CA 90007 Upon successful completion of all requirements of the 4 year program, students receive a Bachelor of Science in Business The degree requires 128 units. For specific information on admission and application procedures, contact the School of Cinematic Arts at (213) 821-2515 or the Information Technology Program at (213) 740-4542. Arts In Action supports and creates work that builds upon USCs pledge to address societys most pressing issues. The game entrepreneurism minor provides an educational path that teaches hard business thinking for creative entrepreneurs. The University of Southern Californias Annual Security and Fire Safety Reports (ASR) for the past three years are available online at: https://dps.usc.edu/alerts/annual-report/. See the Keck School of Medicine of USCfor course requirements. For more information, see here. For more information, see here. For more information, see here. [4] From that one class grew a Department of Cinematography (1932) in the College of Letters, Arts and Sciences, renamed the Department of Cinema (1940), which led to the establishment of the USC School of Cinema-Television (1983), which was renamed the USC School of Cinematic Arts (2006). See USC School of Dramatic Artsfor requirements. Participating students enroll in CTPR 515 Global Exchange Workshop(2 units). The Bachelor of Arts in Interactive Entertainment is granted through the USC Dornsife College of Letters, Arts and Sciences in conjunction with the School of Cinematic Arts. 2022 Archive ; 2021 Archive ; 2020 Archive ; 2019 Archive ; 2018 Archive ; 2017 Archive ; 2016 Archive ; 2015 Archive ; . On September 19, 2006, USC announced that alumnus George Lucas had donated US$175 million to expand the film school with a new 137,000-square-foot (12,700m2) facility. The program requires 16 units. The themed entertainment minor focuses on history, theory and skills of themed entertainment design. The USC School of Cinematic Arts trains fully-formed media makers, collaborators, and scholars situated to flourish in their chosen career path. foundation for jobs across the industry and in the classrooms as renowned media scholars. Immersive Media The program requires 24 units. a high school lacrosse player is forced to confront his coach's sexual abuse . The USC School of Cinematic Arts Summer Program is a six-week program that offers classes from different facets of the entertainment industry, all for college credit. Core to the program is its transdisciplinary ethos; after completing foundational course work, students design their own curricula, drawing on expertise across all divisions and research labs within the School of Cinematic Arts. The minor in entertainment industry provides students interested in media content creation with a focused curriculum that will give them insight into the economic factors and professional practices that influence the creative process, and how they interact with social, historical, technical and aesthetic elements. Make Reservations . With nearly 200,000 square feet of facilities, the school confers degrees ranging from the bachelors to the doctorate. the field forward with innovative research concepts. Everywhere you look these days there are screens that need content. This 24-unit minor is designed for students who plan to enter careers or professional programs in medicine after graduation and are interested in working with film and television producers to disseminate accurate health information to the public. Writing for Screen and Television, BFA, Minors We are educating the next generation of artists, scholars and professionals who will question the status quo. For more information, see here. The USC School of Cinematic Arts (SCA) is one of the nations preeminent centers for the creation, study, research and development of film, television and interactive media. In order to apply to one of our six divisions you must first select your Preferred admission plan on the Common Application to Regular Decision. From cruise ships to casinos to immersive educational retreats, themed entertainment design involves submerging a real, live human being into a story in a truly robust, physical way. Parking passes may be purchased for $10.00 at USC Entrance Gate #5, located at the intersection of W. Jefferson Blvd. John C. Hench Division of Animation + Digital Arts . Game User Research For example, undergraduates and graduates must earn a minimum grade of C (2.0) in all required cinematic arts courses. For more information, see here. [3][24] Among the most notable are: Coordinates: .mw-parser-output .geo-default,.mw-parser-output .geo-dms,.mw-parser-output .geo-dec{display:inline}.mw-parser-output .geo-nondefault,.mw-parser-output .geo-multi-punct{display:none}.mw-parser-output .longitude,.mw-parser-output .latitude{white-space:nowrap}340123N 1181709W / 34.023056N 118.285833W / 34.023056; -118.285833. Outside the Box [Office], USC Schwarzenegger Institute, and Zeno Films Productions LLC, invite you and a guest to attend. This minor is designed to give students an underpinning in game design, interface design and research methods, while teaching a full set of skills for playtesting and usability practice. Future Cinema With faculty guidance from both universities, the students must negotiate cultural differences both in front of and behind the camera. Housed within USC's School of Cinematic Arts, the lab's design methodology straddles the cultures of visual storytelling, games . Held here in USC School of Cinematic Arts' Ray Stark Family Theatre, students from all over campus gathered to watch the movie with an added layer of depth - the audio commentary track from SCA alum and director Ryan Coogler, screenwriter Joe Robert Cole, and director of photography Autumn Durald Arkapaw. Themed Entertainment Game User Research USC School of Cinematic Arts Annenberg School for Communication and Journalism Herman Ostrow School of Dentistry . Research interests . Transfer policies for PhD degrees requireadvisement and approval of the division chair. News. Jul 2022 - Present9 months. The curriculum is designed to prepare a select group of students for careers as producers and executives of film, television, and new media. Approximately 24 Peter Stark Program students are enrolled each fall. Los Angeles, California, United States. The top 17 grossing films of all time have had an SCA graduate in a key creative position. Upon successful completion of all requirements of the 4 year program, students receive a Bachelor of Science in Business Administration with an emphasis . cinema.usc.edu, The John C. Hench Division of Animation + Digital Arts cinema professions. USC School of Cinematic Arts Professor Pablo Frasconi suggested perhaps the Global Exchange Workshop could go virtual during the Covid-19 pandemic. School of Cinematic Arts - SCA 366 (213) 740-1111 To obtain this joint degree, students will take interdisciplinary coursework from both the USC Marshall School of Business and the . Through this program, students will gain the knowledge, tools and skills necessary to preserve the materials that make up the history of entertainment and to lead scholars through the research maze to the completion of books or media in their fields of study. School of Cinematic Arts University of Southern California. Interested students should contact Professor Pablo Frasconi of the division of Film and Video Production at pfrasconi@cinema.usc.edu.. Basic media history and theory courses can sometimes be accepted for transfer credit. Sheila M. Sofian,Co-Director These include classic character animation, 2-D and 3-D storytelling, performance capture, visual effects, motion graphics, stop-motion, experimental filmmaking, installations and multimedia, documentary animation, and visualizing scientific research. For more information, see here. Sep 2018 - Sep 20202 years 1 month. To start a successful business, you need skills and knowledge of the processes for setting up a business, finding investment and turning your creative project from prototype to finished project. Followed by a Q&A with Chris McKay and Executive Producer Samantha Nisenboim. The University of Southern Californias Annual Security and Fire Safety Reports (ASR) for the past three years are available online at: https://dps.usc.edu/alerts/annual-report/. Founded in collaboration with the Academy of Motion Picture Arts and Sciences in 1929, the USC School of Cinematic Arts has fueled and mirrored the growth of entertainment as an industry and an art form. Thanks to SCAs location in Los Angeles, students have access to the countrys leading film, television, animation and video game producers; world-class literary and talent agencies; libraries and archives brimming with research materials; and alumni that support the school and the men and women in its academic body. Documentary The USC School of Cinematic Arts, Hulu, and Iron Mountain Entertainment Services (IMES), invite you and a guest to attend A Special Theatrical Screening of LEGACY: The True Story of the LA Lakers Episodes 1 & 2 Directed by Antoine Fuqua Written by Steven Leckart The program requires 16 units. The University of Southern California School of Cinematic Arts (SCA) houses seven academic divisions: Film & Television Production; Cinema & Media Studies; John C. Hench Division of Animation + Digital Arts; John Wells Division of Writing for Screen & Television; Interactive Media & Games; Media Arts + Practice; Peter Stark Producing Program. Undergraduate programs are assessed the university-wide tuition rate. Comedy The program requires 24 units. The school is also home to USCs Trojan Vision television station. Students may apply in the spring or fall semester. Application Deadline: December 1st. (MAP) teaches the art and technologies of digital design, cinematic media, and storytelling. In 2020, School of Cinematic Arts graduate Travis Misenti directed a science fiction film, This page was last edited on 21 February 2023, at 08:58. GoPro signs deal with USC School of Cinematic Arts SAN MATEO, Calif., Oct. 15, 2015 /PRNewswire/ -- GoPro, Inc. (NASDAQ:GPRO), enabler of some of today's most engaging content, today announced the University of Southern California School of Cinematic Arts (SCA) is a flagship partner in the creative community as it kicks off GoPro Awards. -Mixing and mastering for student . 14.5K Followers. The minor in animation offers students an introduction to the theory and practice of animation, including its relationship to the history of art and cinema, creative writing, and basic film production. At the center of the new television complex is a statue of founder Douglas Fairbanks. USC - Directing/Film Production. Game Entrepreneurism Participants from around the world have an opportunity to attend intensive, creatively demanding and satisfying filmmaking courses. A minimum of 68 semester units (exclusive of dissertation registration) beyond the baccalaureate is required. (213) 821-5700*, The Peter Stark Producing Program (213) 740-3303* Assist film students with content production, editing, distribution, and storage using . Animation and Digital Arts at the USC School of Cinematic Arts nurtures the next generation of film and content makers who chose animation as their medium. This program requires 36 units. School of Business. . For more information, see here. Los Angeles, California, United States Act as liaison and first point of contact between SCA guests and Director of Programming . All course waivers and substitutions are reviewed by committee and must be approved by the associate dean of academic affairs. USC Cinematic Arts crosses the spectrum of media creation from film and television to games and interactive MA+P students are both makers USC Cinematic Arts Search Menu. (213) 740-3317*, Interactive Media and Games Division The USC School of Cinematic Arts is led by dean Elizabeth Monk Daley, who holds the Steven J. Ross/Time Warner Chair and is the longest-serving dean at the University of Southern California, having led the cinema school since 1991. The Global Exchange Workshop documentary short Come, Live, Leave (2019) is the story of two students whose lives are in limbo because of visa issues -- Gao in Beijing (left) and S. in Los Angeles . Everett Lewis,Co-Director Through elective choices students may focus their studies on theory, on specific fields of immersive, on creative expression, or on building technology. (213) 740-3986* Screenwriting Minors, International Programs and Summer Program, The John C. Hench Division of Animation + Digital Arts, MFA Program in Expanded Animation Research + Practice, The John Wells Division of Writing for Screen and Television, Business of Entertainment Graduate Certificate, CMPP 548 Introduction to Producing for Television, CMPP 550 Script Analysis for the Producer, CMPP 561 Motion Picture and Television Marketing, CMPP 569 Seminar on Non-Mainstream Producing, CNTV 332 The Art of Motion Picture Editing, CNTV 367 The Music Video: Business and Practice, CNTV 370 3-D Animation for Film and Video, CNTV 375 Breaking Into the Entertainment Industry, CNTV 393 16mm Filmmaking: Structuring Scenes That Work, CNTV 415 Commercial Production: The Art of the Sixty-Second Story, CNTV 419 Inside the Business of Film and Television, CNTV 427 The Art and Commerce of Independent Film, CNTV 428 Fundamentals of Entertainment Law and Dealmaking, CNTV 440 The Business of the Entertainment Industry: Motion Pictures, Television, Animation, Video Games, and Interactive Entertainment, CNTV 441 Business and Cinematic Arts Entertainment Practicum, CNTV 457 The Entertainment Entrepreneur: Getting Your First Project Made, CNTV 458 Producing and Marketing Feature Length Films, CNTV 463 Television: Integrating Creative and Business Objectives, CNTV 467 The Future of Digital Media and the Entertainment Industry, CNTV 478 Horror Film Analysis and Production, CNTV 481 Entertainment Industry Launchpad, CNTV 522 The Television Industry: Networks, Cable and the Internet, CNTV 523 Feature Film Financing and the Studio System, CNTV 524 Digital Technologies and the Entertainment Industry, CNTV 525 Entertainment Marketing in Todays Digital Environment, CNTV 561 Publicity for Cinema and Television, CNTV 562 Seminar in Motion Picture Business, CTAN 101L Introduction to the Art of Animation, CTAN 102L Introduction to the Art of Movement, CTAN 110 Design Fundamentals for Animation I, CTAN 201L Intermediate Animation Production, CTAN 202L Introduction to 3-D Character Animation, CTAN 210 Design Fundamentals for Animation II, CTAN 280 Intermediate Character Animation for Games, CTAN 301L 3-D Character Performance Animation, CTAN 302L Expanded Concepts in 2-D/3-D Animation, CTAN 443L Character Development for 3-D Animation and Games, CTAN 448 Introduction to Film Graphics Animation, CTAN 450a Animation Theory and Techniques, CTAN 450b Animation Theory and Techniques, CTAN 450c Animation Theory and Techniques, Acalog Academic Catalog Management System (ACMS).
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