And what Colour Chrome FX Blue should be set to: weak, strong, or off? Sharpening -1. Again shoot this 1/3 to 1 full stop over exposed for the best results. Its much faster than starting from scratch with the Raf files! Your T-Max 400 has become my go-to recipe. You have obviously done a lot of trial and error to arrive at these settings, so thank you for being so unselfish with your secret recipes. For some reason, black-and-white film simulation recipes arent as popular as color, but Fujifilm cameras are capable of some great monochrome images straight-out-of-camera. I love using the Fuji film simulations on that Fuji X Weekly article you mention I like using the Portra one although the WB setting is never right for me! Makes for a cutting image. Now this may sound obvious but it really helps. Better still, youll begin to understand what kind of film shots you like. Thank you so much! Velvia especially is too saturated for my taste and doesnt look very film like to me, unless, you trying to achieve a look for a film stock that is very colourful! I know that some camera sensors are more IR sensitive than others. As you can see below my Custom 7 displays a nice range of gradients ending in Black & White. So in order to simplify my shooting process and get more consistent results, I decided to stick with just one color simulation and one black & white simulation recipe. Thank you so much for all the inspiration, and all the useful and wonderful recipes, specifically! Perhaps Ill rename it that actually. As of this writing, its only compatible with the Fujifilm X100V, X-Pro3 and X-T4 cameras. Classic Chrome took a while for me but once I achieved my desired preferences it became my favorite. Here are the settings you need: I see your point, but actually editing is a big part of photography, for better or worse. Jorge Perez. It is based on the Pro Neg profiles which are usually quite boring to me but in this case it works well. Maybe they never shot film or think, a little grain make it a film look. Just picked up an X100V and these are proving invaluable. A few of my favourites are @ioegreer, @willemverb, @charliethom, @ej.leff and last but not least @samuelelkins. One of the things that I was also hoping to achieve by shooting jpg was to get a more consistent look in my photos, but looking back that never really happened because I kept changing back and forth between all of those recipes! The colors are punched up a few notches but the de-saturated look is still recognizable. Im a fan of contrasty, grainy images when it comes to B&W, so I experimented a bit and discovered that the Acros film sim when shot at high ISOs produces some very film-like grain, which looks much more natural than the grain effect in the film sim settings. Please keep it coming! Posted on August 11, 2020 by Ritchie Roesch, Stop Here on Infrared Yellowstone NP, WY Fujifilm X100V Black & White Infrared. Unlock advanced features by becoming a Patron. White Balance: Auto, Red +5, Blue -5 I dont have a specific film that this is geared towards, its just the look that I liked for my Jpegs. You can use filters with infrared, too, to control what light comes through, but not to the extent of full-spectrum. When used in the high situations, this black and white recipe is just gorgeous! It is a very versatile recipe with somewhat muted colors but less so than anything based on Classic Chrome. This black and white simulation uses the Black and White with the Red filter and give a nice balance between contrasty tones and completely crushing the blacks. I also shoot 35mm film and usually have a roll of Fujifilm Superia 400 in my Nikon FE. Or maybe u could suggest or onces I could try? There you guys! I shoot this at Positive +1/3 to 3/4 Ev and adjust on location as needed. 5:21 pm. I have them set up the same on both my XPro 3 as well as the X100V. I think this is my favourite so far that I have tested and really recommend trying these settings for yourself! 2:15 pm. Acros+R This camera is nothing short of outstanding. Thomas said that he started with one of the Ilford recipes, and this evolved from that. Thanks for all these recipes. Your email address will not be published. Choosing between them became an extremely time consuming task and it got to the point where I would sometimes spend over half-an-hour with a single photo going back and forth between different looks. . This recipe actually reduces color a fair amount and therefore looks quite flat. Is there a way to use these film simulations for video as well? I realized that I need to find my own kind of style. Change). Colour Chrome Effect: Weak . It uses the mostly flat looking Eterna film sim but pushes highlights, shadows and colors. Acros Fujifilm X100V / Acros (Photo: Jim Fisher) Your photographs have qualities which I find it difficult to accurately put into words. White Balance: 2750K, -5 Red & +9 Blue In my opinion it works well over exposed ( just like real portra ) and in contrasty outdoor lighting. Film Simulation - Monochrome + R. Grain Effect - Strong. HelloI can not find this item? You can obviously tell which are my favorites just by way of subject matter. *My little tip is the added - indicator after the Preset name which helps me remember how I like to shoot the exposure with each simulation. Timothy Gasper My Black & White Infrared film simulation recipe can be difficult to use. I shoot this at 0 to +3/4 Ev and adjust on location as needed. But Ritchie has come up with some amazing simulations, I use them all the time! I will be trying out your Kodachrome formula for sure. So go on then, get of your arse and go make some great photographs. You are welcome! Unfortunately thats not possible, considering the original X-T30 doesnt have Classic Negative. Colour Chrome Effect: Strong Shiva There also a small cloud formation to the left just above the larger clouds which looks like a ghostly figure with arms spread floating upward. The trick is to use a low Kelvin white balance in conjunction with a dramatic white balance shiftwhen using Acros+R. Thanks for sharing , Thank you so much for the kind words! I like the subdued and de-saturated colors of classic chrome although I usually push the vibrancy a bit. It reminds me of Agfapan 25 printed using a high-contrast filter (maybe a #4, or even split-filtered). Film Simulation Settings: Classic Chrome. How would I reproduce these in older x trans sensor? October 14, 2020 @ My favorites so far have been the Kodachrome simulations (both the Vintage Kodachrome and Kodachrome II) and Fuji Superia 800, but theyre really all quite excellent and cover an enormous range of looks. Film Simulation: Acros with Yellow Filter. Dynamic Range: DR200 There is nothing compelling but also nothing alluring. Watch on. Whites +32. Its not intended to look like it, but thats what it reminds me of. But for amateurs like me who use photography to document their everyday life and the world around them, I strongly recommend giving it a try, I think youll be surprised with how liberating it is. Hard blacks, glaring whites (even though it is only a street light) and a punchy contrast. #3. The 7 custom Fujifilm recipes on my camera right now, The film look in digital: what Ive learned so far, Love at first click: an ode to the Fujifilm x100f, I was very skeptical on some of the hardware design changes, My Favorite Fujifilm Film Simulation Recipes | Fuji X Weekly, Updated my favorite Fujifilm film simulation settings Life, Unintended, https://lifeunintended.com/tag/fuji-x-pro1/, Updated my favorite Fujifilm film simulation settings (again) Life, Unintended, Review of SOOC JPEGs with the X70 at Dusk The City Beautiful, Fujifilm Film Simulation Challenge Roll 3: Tri-X Push - Island in the Net, New film simulation recipe for the X-pro3 Life, Unintended, [Not] My Fujifilm X-Pro2 Tri-X Push-Process Film Simulation Recipe | Fuji X Weekly, My 2 Favorite Fujifilm Simulation Recipes | Brandon Lopez, [Not] My Fujifilm X100V Classic Negative Film Simulation Recipe | Fuji X Weekly, Isolation Photo Project, Day 126 by Khrt Williams on Island in the Net, 3rd anniversary of Life, Unintended Life, Unintended, Isolation Photo Project : Day 138 by Khrt Williams on Island in the Net, You can also Forage in Eden Terrace Good Intentions, Film Simulation Recipe Cards, Part 2! :p. Just found your wonderful blog. Sometimes I also use a Capture One preset pack called the classic presets, it has some great classic film simulations as well. document.getElementById( "ak_js_1" ).setAttribute( "value", ( new Date() ).getTime() ); Your email address will not be published. After much trial and error, I settled on the settings below that I used almost exclusively on the X-Pro1 during the time that I had it: When it comes to monochrome images, I still use the same recipe that I came up with once I upgraded to an X-trans III camera many years ago. Thats it. I own an X-S10 and dont think I can create custom movie simulations as I can with stills. I'm Jorge a street photographer, filmmaker, developer, content creator and part-time YouTuber based in . Thank you! I think I recognize Phnom Penh in those shots? My favorite color recipe is Kodak Portra 400 v2, and my favorite black-and-white recipe is Kodak Tri-X 400. Back when the X-Pro3 was announced I was very skeptical on some of the hardware design changes, but one thing that immediately got me excited was the jpg-oriented software updates and specifically the new Classic Negative film simulation. animal crossing x male reader lemon craigslist search or operator thicc hoppou vrchat a90 supra front lip dsp jobs amazon. In the meantime I already designed seven distinct styles as a base for my experiments. March 25, 2020 @ In 2019 Fujifilm released Classic Neg, which quickly became one of my favourite film simulations for street photography. Favourite Fujifilm Simulation Recipes For The 1st Gen X-Trans Sensors (X-Pro1, X-E1) 11 Dec 2021. Thank you Solomon! Those who have said thatAcros+R doesnt actually resemble the use of a red filter on black-and-white film will appreciate these settings. Your email address will not be published. Estimated Reading Time: 7 mins One option where I still have some doubts is the grain effect I feel the new size option is a definite improvement, but somehow I still dont find it as convincing as the grain from Capture One, let alone real film. For the better in my opinion. I can say that Velvia is definitely not part of it :-). I found that it can vary greatly, so try adjusting it (reducing or increasing, but probably reducing) until it looks right. Most of us do this with a lens filter that blocks most of the visible spectrum (like 750nm) and custom white balance set with a white card and the filter. Maybe for really colorful neon lit scenes it might work but I tend to shoot either in a more realistic or even gritty style. Im terrible with titles so I never named it! Shadow Tone - +3. I had this post sitting my in drafts folder for a weeks now. A few things led me to being very keen on finding a few Jpeg recipes, and sticking to those for all my work. One of my favorite photographers is Mitch Dobrowner, who converted his Canon cameras to full-spectrum for dramatic monochrome storm photography. Its most similar to Dramatic Monochrome, so if you like that recipe youll like this one, too. So I sat down with a test scene and took images with every possible film recipe that my camera is capable of to see what would fit most to my photographic plans and artistic vision. Note: I have always taken some freedom with film recipes. Markus Arike Definitely trying this one this weekend. October 11, 2020 @ ISO: Auto ISO up to 6400 is fine. Shadow Ware - Farmington, UT - Fujifilm X-T30. Here are the settings you need: Film Preset: Classic Chrome Now, because I love the look of film not just the process of film. This recipe produces gorgeous pastel tones especially in soft light, with a slight shift towards the greens that's reminiscent of some classic Fuji film stocks. Great! The look is burnt in from these presets.). Push/Pull Process: 0EV, Dynamic Range DR100, Film Simulation Classic Chrome, Grain Effect Weak, WB Auto, WB Shift R0 B0, Highlight Tone -1, Shadow Tone -2, Color -4, Sharpness . I tried making that shift to red many times. I have a roll of Superia 400 waiting in the fridge, Ive never tried one yet but I love some of the photos Ive seen of others taken with that film. I could not sort through them. Thanks a lot! Sharpening: +2. I found 15 recipes that have clearly dominated all the others in my years of shooting Fujfilm. I think it is often the best choice for urban scenes or street photography. Join Me LIVE Today to Talk About Street Photography! The new part is my color film simulation settings, previously I had been using exclusively Ritchies recipes for color work! Chinatown KL Street Photography. It accentuates structures, light and textures by taking out the colorful distractions. When I need high contrast but also vibrant colours, Pro Neg Hi hits the spot. I have no idea what was written in the original. Its still editing and still a hugely important part of the photographic process. 8:44 pm. teen pregnancy prevention websites. Its no wonder that as soon as I got my own X-pro3, I set it to Classic Negative and pretty much never changed it since! So I thought about not using a systematic approach but rather to see which film recipes I used the most. Its a weird quirk of the programming. Highlights: +2 ISO: Auto, up to ISO 6400. Fujifilm X100V Silver Amazon B&H. Fujifilm X100V Black Amazon B&HFujifilm X100V Silver Amazon B&H. Any chance you have the first recipe thats to emulate Kodak Gold 200 for a newer camera like the X-S10? Why You Need A Black & White Dedicated Camera 23 Jul 2021. Take the Blind Film Simulation Recipe Test to See Which Might Be YourFavorite! It uses the rather soft Astia film sim as a base with fully a pushed up color setting. Maybe not quite as convincing, but it definitely works. I wonder how this ended up on my list. Im glad that you like the recipe! Classic Chrome will also be definitely a base for one of my styles. Works amazing on flowers and high contrast scenes such as sunsets. They will not effect your Fuji RAF / RAW files. I still hope to do so, maybe later this year or perhaps next year. So makes perfect sense nowif you make it all red with WB it passes it all through actually allowing more to pass through filter. Kodak Tri-X 400 Good Black&White: Timeless Negative Try iT: Old Sandy Effect Try iT: Kodachrome 64: Vintage Analog Try iT. I cant discern much difference to the Kodacolor VR recipe. https://jimilo.de/f8/index.php?album=Fuji/Infrared, Average pics from an average photographer. 300 Free Fujifilm Lightroom Presets. Thats awesome! Its all about making the most of the Fujifilm Jpegs; which are amazing, but with a few tweaks or sometimes a lot of tweaks, they can be made even better. 12:22 pm. The problem is the film held up so well in almost any lightingsort of had a built in Auto WB and digital seems to render differently as the light changes, One of things youll notice is the Nat Geo pros images look slightly underexposed and more contrasty if you really study a lot of them. The consent submitted will only be used for data processing originating from this website. It looks natural, realistic and slightly warm. Open the image in Adobe Camera Raw or Lightroom's Devlop module. 4:49 pm. Kodachrome was an experiment and my attempt of reviving something of the iconic film stock we lost a while back. Shadows: -2 Based on some demand from our readers, we have created the Noir Film Mood film simulation recipe. Last Update: 20.1.2023 In this page i am trying to list down some of Fujifilm Film Simulation Recipes that I fond on the Net or I create. (ansel Adams maybe-because I didnt have a DEEP red filter, just a cheap Neewer set). Yeah but some may want the film look with the convenience of digital.